摘要
沈宗骞的绘画美学思想秉承了明代以来的文人画传统,强调"师古"、"避俗",崇尚"恬淡冲和"的审美理想。然而他师古不泥古,提倡借古开今;避俗就雅,坚持绘画艺术的审美本质;主张恬淡中至深远,冲和中见生趣,揭示了艺术的内在规律。处处体现出"于俗异中求传统,于传统中寻新义"的美学追求,这正是他的绘画美学思想的价值所在。
Shen Zong-Qian＇ Aesthetic Thought adhering to the tradition of literati painting since the Ming Dynasty, stressed the ＂Old Master＂, ＂to avoid the vulgar＂, advocating ＂simple and elegant ＂ aesthetic ideal. However, he did not learn it without change, adhere to the aesthetic nature of painting, to promote the Past to present; to avoid customs on the elegant, reveals the inherent laws of art. This is his painting of the value of aesthetics.
出处
《武汉科技学院学报》
2010年第6期6-10,共5页
Journal of Wuhan Institute of Science and Technology
关键词
沈宗骞
绘画美学
借古开今
雅俗
Shen Zong-Qian
Painting Aesthetics
Past to present
Elegant and custom
