摘要
盐田千春迷宫般的装置作品,让观众重新审视了觉醒后的生活状态和梦境里的神秘之感,观者在追逐逝去记忆的同时,会感到通往遗忘的道路却近在咫尺。盐田千春说:"能够消除我所有的痕迹,我的面容,我的文件,我的护照,甚至我的指纹,这非常好。"
While exploring the hinterlands between waking life and dream states and chasing fading memories,in Shiota's labyrinthine installations the passage into oblivion always feels close at hand.'It would be nice to banish every trace of myself,my looks,my papers,my passport,and even my fingerprints,' Shiota has said.
出处
《东方艺术》
2010年第21期20-25,共6页
Oriental Art