前卫已死,侧卫当前——在经典语境内探讨艺术表述的宽度

Advance Guard Died,Flank Guard Reigning—Discuss The Width of The Art Presentation In Classical Context

当代艺术家的侧卫性实践,是完全遵从于中国主体文化的,其创作所要针对和指涉的经典语境也应该或者务必是大语境范畴而不是小语境概念。要完整观察除开意识形态艺术之外的中国当代艺术在世界当代艺术中的地位,由中国主体文化传承精神演变而来的侧卫性,将是不可绕开的话题。而曾经被过早地定义为中国前卫艺术的艺术品和艺术家们,将要重新拆分与重构,但更大一部分,估计仍然就是意识形态艺术,这一文化殖民色彩浓厚的世界现当代艺术的窄小分支。在互联网让全球化真实呈现的时候,"中国前卫艺术"因定义过早,已然失去了其存在的意义而走向必然的死亡。且"中国前卫艺术"这一定义,放在西方前卫艺术平台上去度量,本身就失去了前卫性和探索价值,成为彻头彻尾的一场身份不明的闹剧。

AII of the contemporary artist's flank guard practice conformed to the Chinese culture and the context it pointed should be and must be in big context but not small context.The art works and artists defined as avant-garde prematurely would be re-split and re-merged.most of which should be ideology art.Nowadays internet made the globalization become real, 'Chinese avant-garde Art' lost his meaning of existence and will step into inevitable death because of the early definition.If seen from western views,the definition of 'Chinese avant-garde Art' will also lose its value of probe and totally become into an undisclosed farce,