摘要
从"喃嘟嗬"的产生渊源及历史衍变的视角,探讨其文化构成及当地中元节独特习俗的成因,揭示汉族客家移民与壮族先民社会交往中的民族文化融合内涵,并就民族民间艺术文化遗产的保护提出了自己的看法。
From the perspectives of the origin and historic changes of "nan-du-ho"(a musical instrument for sacrificial purposes),the paper discusses the cultural composition and origin of the peculiar customs of Ghost Festival in Southeast Guangxi,revealing the meaning of ethnic cultural integration in the process of social communication between Han Hakka immigrants and the Zhuang ancestors.The author also expresses his own opinions about the protection of artistic and cultural heritages in folk and ethnic societies.
出处
《广西民族大学学报(哲学社会科学版)》
CSSCI
北大核心
2010年第6期71-75,共5页
JOURNAL OF GUANGXI MINZU UNIVERSITY:PHILOSOPHY AND SOCIAL SCIENCE EDITION
关键词
客家祭祀
喃嘟嗬
文化构成
解析
Hakka worship
nan-du-ho
cultural composition
interpretation