摘要
只有像大都会歌剧院这样资源丰厚的歌剧院,才敢排出这样的档期：一开季两个月内连续推出三个新制作,个个都是歌剧史上最庞大的剧目：9月底是《莱茵的黄金》,11月是《唐卡洛斯》,而在这中间夹着的则是《鲍里斯·戈杜诺夫》。
Three months before the production premiere, the director for the Met's Boris Godunov for five years quit. Luckily,a last-minute replacement took the reins.The star of the show,Rene Pape,sang with power,verve and deep emotion.His soul-searching Boris anchored the cast of consistently fine singers.
出处
《歌剧》
2010年第12期38-39,共2页
Opera
