摘要
在满族女作家叶广芩多样的题材书写中,始终带着深沉的历史宿命意识和民族文化悼亡的忧伤、悲壮的诗情。无论是描绘清朝贵族子弟的悲剧命运,还是处于文化边缘的历史孓遗慰安妇、汉奸和土匪形象,都包含着作者对文化因子与复杂人性的探寻;即使是以动物叙事为主体的寓言写作,也启示着以萨满教为核心的民族传统文化精神的溃散与拯救的可能。她以衰败的民族文化为视角,审视家族、历史与自然。这是她对抗污浊、浮躁、混乱的世相的独特方式。叶广芩借此建立起心灵堤坝,也以文学的方式参与民族文化精神的重建。
Ye Guangqin as a Manchu writer is always with a deep sense of historical destiny,a sad and tragic national culture mourning poetry feeling in her variety of subjects.She explores the complexity of human nature in her works by depicting whether the tragic fate of children of the nobility of the Qing dynasty or the figures at the historical and cultural edge such as comfort women, the traitors and bandits.She also reveals the possibilities of salvation the shaman as the core spirit of collapsing traditional culture by animals as the main body of the fable narrative writing.She exams family,history and nature by her perspective of the decline of national culture which is her unique way to fight the dirty,impetuous and chaotic world and also the way of literature in the mental reconstruction of national culture.
出处
《南开学报(哲学社会科学版)》
CSSCI
北大核心
2010年第6期24-30,共7页
Nankai Journal:Philosophy,Literature and Social Science Edition
关键词
叶广芩
民族身份归属
历史观
自然观
Ye Guangqin
Ownership of National Identity
Historical Views
Natural Views