《牯岭街少年杀人事件》:身份、知识分子与视听

"A Brighter Summer Day":Status,Intellectual,and Audio-vision

在影片《牯岭街少年杀人事件》中,杨德昌以当代语法重新引述台湾20世纪60年代那段历史,寄寓其关于现代性的深沉思考。无论是在自恋与侵凌的辩证法中误认自我身份,还是知识分子对体制批判与屈从的悖论处境,抑或由视听意象的转移遭遇到创伤性真实,凡此种种皆展现了现代社会转型的复杂阵痛。从"少年杀人"演变为"时代杀人",彰显的不仅是个体的生存困境,也指涉社会发展的瓶颈。

In the movie ＂A Brighter Summer Day＂,Yang Dechang quotes the 60s history of Taiwan by the contemporary grammar and elicits the modern deep ponder.The wrong self-status in the self-love and insult dialectical method,the intellectuals＇ paradox situation for the criticism and yielding for the system or the shifting bitter experience from hearing and seeing images and wounded truth,they all show the complex pain of society reforming.The change from ＂youth killing＂ to ＂time killing＂ embodies not only the difficult survival position,but also the bottleneck of social development.