摘要
本文以唐代山水画的发展状况为背景,以李思训、李昭道父子的山水画法为主要研究对象,从《江帆楼阁图》、《明皇幸蜀图》等作品中所反映的信息与历代画论的记载当中研究他们的山水画风,并从画史中梳理其对后世山水画的影响。
In this paper,based on the development of the Tang Dynasty landscape painting and taking Li Sixun, Li Zhaodao＇s landscape law as the main object of study, and based on the information reflected in the works and re cords in ancient art, this article researches their painting style of landscape paintings and combs through their influence on the future lansdcape paintings.
出处
《新疆艺术学院学报》
2010年第4期53-56,共4页
Journal of Xinjiang Arts University
基金
甘肃省2009教育科学"十一五"规划课题"美术史教学中中国山水画史的关键点研究"
编号为GSBG[2009]GXG116
关键词
李思训
李昭道
山水画
青绿
Li Sixun
Li Zhaodao
Landscape painting
Green landscape.
