建国以来少数民族电影民族主体意识的发展历程

The Developmental Course of Minority Nationality Subject Consciousness of Minority Nationality Film since the Founding of the People's Republic of China

在十七年时期，少数民族电影基本上处于少数民族主体被动参与的边缘化生存状态。在20世纪80-90年代，随着少数民族电影主体的逐步形成，少数民族的民族主体意识开始觉醒，少数民族电影出现了主体转型。进入21世纪，少数民族电影在向产业化探索过程中积极向主流意识形态靠拢，民族主体意识与国家主流意识的耦合最终赢得了少数民族主体独立自主发展民族影视产业的自觉地位。

The minority nationality film is mainly in a marginal situation of subsistence that minority nationality subject is passively participated in the seventeen-year periods. Along with the gradual formation of minority nationality film subject, the minority nationality subject conse＇iousness begins the awakening and the subject transition of minority nationality film has appeared in the 1980-1990s.Entering upon the 21st century,the minority nationality film positively closes up the mainstream ideology during the course of industrializational exploration and the interconnection with the minority nationality subject consciousness and the national mainstream ideology, finally won the conscientious position that the minority nationality subject stands on their own to develop the minority nationality film and TV industry.