摘要
中国早期电影人对民族的想象是在打破旧有的国家意义指向的基础上完成的,伴随着这个过程的是在传统文化中寻找资源,这一策略让电影这一西方产物迅速本土化,并成为中国人喜闻乐见的艺术形式,使得早期电影人通过对电影这一现代媒介的选择和组织完成国家的想象和构建,这种民族身份的确认对当今的电影思想取向和民族品格的构建有重要的启示意义。
Early Chinese filmmakers completion of national imagination ,based on breaking the old national significance, along with this process, is to find resources in the traditional culture. This strategy allows the rapid localization of the film product of the Western and the Chinese people love the art form. Early Chinese filmmakers through the modern medium of film to selection and organization to complete the national imagination and construction, and it has important implications for the movie in today's ideological orientation of the film and to build the national characters .
出处
《新疆艺术学院学报》
2010年第4期76-79,共4页
Journal of Xinjiang Arts University
关键词
中国早期电影
民族想象
传统文化
身份焦虑
Early Chinese Film
National imagination
Traditional culture
Status anxiety