元明之際唐詩系譜建構的觀念及背景

The Concept and Background of Tang Poem’s Genealogical Construction between Yuan and Ming Dynasty

宗唐复古是近世文学史上的重要思潮，代表了诗文领域重新体认传统所建立的主流审美理想。本文以严羽诗论与杨士弘、高棅唐诗选本对盛唐的标举，以及由此展开唐诗正变的区分、条理为样例，探究元明之际如何在地域文学与馆阁文学的互动中，一步一步实现以音律与世次为中心的唐诗系谱建构之历程及其内在理路，进而显现其引领明清诗学基本走向的文学史意义。

To esteem Tang poetic style and revere the classics,an important trend of thought in pro-modern literature history,represented the mainstream aesthetic ideal in poetry when tradition was re-acknowledged.While investigating the esteem of the glorious Tang poetic style and the basic distinction of Tang poetry’s development in Yan Yu’s theory of poetry,Yang Shihong and Gao Bing’s Tang poetry anthology,this paper explores the process and internal thread of Tang poem’s genealogical construction centering in rhythm and the order of age during the interaction of regional literature and guange(館閣) literature between Yuan and Ming Dynasty,and finally reveals its leading significance to Ming and Qing poetry in literature history.