管窥“周南”诗歌的多义性

A Brief Study on the Lexical Ambiguity of Zhounan Poetry in the Book of Songs

评价一首诗艺术上的优劣，在一定程度上取决于启示义的有无。一个读者欣赏水平的高低，在一定程度上也取决于对启示义的体会能力。对于《诗经》作品，我们既不能准确界定它的创作背景，也无法确定它的作者是谁，甚至于是男人还是女人，都非常模糊，所以其审美空间就扩大了。“周南”无论是宗统还是道统，都代表着王道正统。儒学家们从中看到的是他们汲汲追求的“修身齐家治国平天下”的人生理想。然而，当我们撕开长久以来笼罩在它们身上的封建正统思想的面纱，还原它本身人性的自然的面目，就能体会到蕴藏其间的多种不同审美感受。

A poemg artistic value depends on its enlightenment to some extent and a reader＇s reading level is closely related to how he understands a poem＇s enlightenment. As for the poems in the Book of Songs, we could not define their exact writing backgrounds nor the authors. Even whether the author is a male or female is also uncertain. Therefore, the poems＇aesthetic space is expanded. Zhounan poetry, whatever it may deal with ,represents the leading rule and religion of that dynasty. The confucianism scholars show their life ideals for self - cultivating, family - regulating, state -ordering and world peace -preserving in the poems. However, we can understand their various aesthetic values as long as we unveil their feudal and orthodox ideology and restore their own human and natural features.