再议唐代坐部伎与立部伎研究的几个问题

On Several Issues of Sitting Kabuki and Standing Kabuki in the Tang Dynasty

"坐、立二部伎"是唐代文化的产物,在中国音乐史上占有十分重要的地位。"坐、立部伎"作为一种表演形式或一种音乐制度大约产生于隋代,完备于唐玄宗时期。唐代"坐、立部伎"属于"燕乐"乐种,到唐德宗时期,"坐、立部伎"走向衰退。"坐、立部伎"与多部乐之间是并列关系,这种关系的确立是逐步形成的,在一定时期很可能按乐种分布和按坐、立分布同时存在。

＂Sitting,standing two Kabuki＂ is a product of Tang culture,which played a very important role in the history of Chinese music.As a form or a music system,＂sitting and standing Kabuki＂ was produced in the Sui Dynasty,and was completed in the period of the Emperor Tang Xuanzong,＂Sitting and Standing Kabuki＂ belonged to ＂Yan Music＂ in the Tang Dynasty,and in Dezong Period,＂Sitting and Standing Kabuki＂ came to recession.There was several parallel relationship between ＂Sitting and Standing Kabuki＂ and music.The establishment of this relationship was formed progressively,and species distribution and sitting,standing distribution might coexist in a certain period.