摘要
学术界开始研究大王岩画以来,对岩画上的人像内涵及代表意义有过各种各样的猜测,但始终没有将其纳入宗教的范畴来进行研究。文章以易学理论对大王岩画人像的性别、内涵进行探索性审读,并参照国内外文化遗址出现的考古文化遗存结合神话史料进行比较研究,从而得出两巨人像为盘古开天辟地神像、小人像代表女娲及其所繁衍的人类的观点,最终认为大王岩画在中国乃至人类文明发展中占有非常重要的地位。
Since the academic circle began to study Dawang Rock Carvings,people have guessed a lot about the figures' sex,connotation and meanings,but they have never studied it from religious perspectives.This paper carries out exploratory interpretation about the figures' sex and connotation in terms of Yijing science theory and makes comparative study referring to Sino-foreign archaeologist's culture remains and mythological historical materials,making a conclusion that the two giant statues stand for the statue of Pan Gunong,and the small statues stand for the statue Nv Wua and her descendants.This paper thinks that the Dawang Rock Carvings take a very important position in Chinese even the world's mankind civilization development.
出处
《文山学院学报》
2010年第4期47-52,共6页
Journal of Wenshan University
关键词
麻栗坡
大王岩
岩画
易学
研究
Malipo
Dawang Rock
rock carvings
Yijing science
study