摘要
与前时代的文学作品相比较,元代戏剧作品对女子形象的刻画比以往任何时代都丰满、突出、动人。我们称之为"女子形象鲜明"现象。用荣格的原型理论来评价这一现象,发现这是由于中华民族在远古时代就崇拜女性,这种女性崇拜情结经过千万年的积淀逐渐形成一种集体无意识,在元代特定的社会环境里被激发出来。
Compared with the literary works of preceding ages,females are always more vividly and conspicuously presented in dramas of Yuan Dynasty than any previous ones,this phenomenon is known as "Female Distinctive Image".Applying Jung's prototype theory to evaluate this kind of phenomenon,we discover that it is because of Chinese female worship in ancient times that female was regarded as the embodiment of mysterious power through thousands of years.This female worship gradually developed into a kind of collective unconsciousness and was inspired in the particular social environment of Yuan dynasty.
出处
《常州大学学报(社会科学版)》
2011年第1期80-83,共4页
Journal of Changzhou University:Social Science Edition
关键词
女子形象鲜明
集体无意识
女性崇拜
元代社会
原型
female distinctive image
female worship
collective unconsciousness
Yuan dynasty
prototype