摘要
赵树理在1940年代成为一个方向性的作家,他的大众化、通俗化的艺术追求与对民间文化的过分倚重的艺术倾向并没有完全体现毛泽东《在延座文艺座谈会上的讲话》精神,他与《讲话》精神既有适应的方面,更潜藏着内在的冲突。这一冲突延续到新中国文学中,在很大程度上引起了赵树理的当代悲剧。
In the 1940g, as a directional writer, Zhao and his popularity, the popularization of artistic pursuit and the excessive reliance on folk culture and art do not fully embody Mao Zedong＇s spirits. He has conflicts with Mao Zedong＇s literary spirit. Continuation of the conflict in the new Chinese literature causes Zhao＇s contemporary tragedy.
出处
《山西师大学报（社会科学版）》
北大核心
2011年第1期88-90,共3页
Journal of Shanxi Normal University(Social Science Edition)
关键词
赵树理
文学观念
现代化
冲突
Zhao Shu-li
literary concept
modernization
conflict
