摘要
"信物"是中国古代爱情文学中不可或缺的传情工具,在明末清初的才子佳人小说中"信物"主要表达定情或婚约之意,而在《红楼梦》中它已经不再是约定俗成的"定情之物",它不仅打破了"父母之命,媒妁之言",而且传递出更丰富的内在信息,蕴藏了传递者不同的情感元素,同时也发挥出了更有效的叙事张力。从时代变化的角度来考察,"信物"功能的衍变也折射出了不同时期的爱情文化心理,标志着作家爱情观念的进步和改变。
' Love token' is not short of tool to transmission love in Chinese classical literature. Typically, love token represents that the meaning to be married, and draw up one ' s engagement happen to gifted-scholars-and-beautiful-ladies novel in between the first Qing Dynasty and the end Ming Dynasty. We consider love token is not precious mementos of engagement accepted through common practice in Dream of the Red Chamber. It is not only break off the traditional notion as life of parents, and word of the matchmaker; but also represents the idea that a rich internal information to the novel. It contains the different emotional elements of transformer and speaker from the scenario of the story in novel, also displayed a more effective narrative tensity, simultaneously. In we own view, the function of love token developed and evolved psychological love education, indicated many writers have love ideas of advancement and development in different times.
出处
《中国文学研究》
CSSCI
北大核心
2011年第1期61-64,共4页
Research of Chinese Literature
基金
黑龙江省社科研究规划项目"明末清初词
曲
小说文体互动研究"(06023)
黑龙江大学杰出青年科学基金项目"明清词曲小说研究"(JC2008W1)的阶段性成果
关键词
信物
功能
衍变
传递
叙事
love tokens
function
transformation
transmission
narrative