论“西学东渐”对“五四”新诗语言的影响

The Impact of "Eastward Spread of Western Culture" on the "May Fourth" Language in Poetry

作为"五四"新诗创作媒介的现代白话文是在"西学东渐"推动下产生的,它本质上代表了一种新的感知模式。这套新的感知模式使得中国新诗从传统诗歌重视"现象的本真呈现"转变为人为的分析和解说。尽管新的言说系统和感知模式让"五四"新诗在描摹"实境"方面大大超过了古诗,然而"实景"背后"虚"的层面却异常薄弱,传统诗歌"虚实相生"、"有无相成"、"空灵飞动"的美学特征在五四新诗中丧失了不少。这最终限制了五四新诗取得更大成就的可能。

The modern vernacular poetry , as the ＂May Fourth Movement＂ creative media is generated in the ＂eastward spread of western culture＂ promotion, it essentially represents a new mode of perception. This new model makes our New Poetry changed, from the traditional Chinese emphasis on ＂the phenomenon of the real show＂ into a man-made analysis and interpretation. Despite this shift makes ＂May Fourth＂ Poetry＇ s portray of ＂reality＂ is much higher than the traditional poetry, but the ＂virtual＂ level behind the ＂real＂ is unusually weak. And traditional poetry, its ＂False and True＂, ＂existence and non-existence stand side by side＂ , ＂light and free-fly＂ aesthetic features was significantly lost in the May Fourth Movement. This ultimately limits the ＂Fourth Poetry＂ ＇s greater success possible.