摘要
郭沫若的戏剧创作同时包蕴着审美现代性与启蒙现代性,体现了郭沫若注重娱乐与教化的双重戏剧功能观。在社会意识凸显,民族精神高涨,政治高于一切的中国现代化的特定历史时期,郭沫若仍然坚持将艺术的审美品质放在首位,注重戏剧的"游戏——娱乐"功能,并以此特定历史时期为契机,充分发挥了戏剧的启蒙教化功能,起到了开启民智、凝聚人心、鼓舞斗志的巨大作用。
The modernism in the drama works of Guo Moruo are aesthetic and enlightening, indicating Guo' s emphasis on the entertaining and educating functions of drama. In the special historical period when politics had won overwhelming superiority to almost everything and social awareness of nation independence were extremely activated among the public, Guo Moruo still kept the prime position of aesthetic quality, stressing on the "Game-Entertainment" function of drama. He fully exerted the educating function of drama, achieving a huge effect on cultivating the awareness of the public, uniting and encouraging the whole society.
出处
《中国文学研究》
CSSCI
北大核心
2011年第1期81-84,共4页
Research of Chinese Literature
关键词
郭沫若
戏剧
娱乐功能
启蒙功能
Guo Moruo
drama
entertaining function
enlightening function