摘要
现象学中图像意识概念能够有效描述出观者"观看"图像的意识结构,能够作为图像意义呈现的基础。其图像意识结构分析具有偏重感知与强调图像主题恒定性的特点,能够有效展开对模仿传统中的艺术图像(包括现实主义流派)、日常生活中的图像、大多数技术图像意识的分析,并揭示图像意识的内在结构。但是,这一概念的有效性应用却面临着双重危险:其一是面临违背现象学的侧显复合体原则的危险,即事物的呈现是侧显复合体的;其二是现象学家自身并没有揭示出非题材(对象)立义的过程。此外它对于非对象性艺术图像的分析有效性难以得到支持。
The structure of pictorical consciousness is discovered efficiently by pictorical consciousness which can express meaning of picture. The analysis has the character of inclining to perception and invariant picture-subject, can be used to analyze the art-picture in the tradition of copying, pictures in the life, more technical pictures, and discovered the inner structure of pictorical conciousness. However, this notion has double crisis, one is contrast to principle of adumbration, the other is phenomenologist doesn＇t discover the process of apprehension of non-object. Its efficiency is difficult to approve to non-object art-picture.
出处
《南京社会科学》
CSSCI
北大核心
2011年第1期61-69,共9页
Nanjing Journal of Social Sciences
关键词
图像意识
现象学
有效性
pictorical conciousness
phenomenology
validity
