设计文化“回归”论

On the return of design culture

设计文化中的科学主义和人本主义相互对峙的矛盾冲突在21世纪的今天仍然激烈,要缓和或逐步从根本上解除这种矛盾,首先应从艺术审美的立场上获取设计文化"回归"的方略;此外,"回归"作为抵御和缩小现代设计中科学技术与人性相互对峙的思想导向,还必须以人类培养道德园地的时间为基础,从中寻找一种新的道德秩序作为向人的自我价值"回归"的前提和保证。在当代,提倡设计文化的"回归"显然不是指对已经过去的设计文化模式的被动复归,而是指对以人为中心的自我主体精神在未来设计中的确证与肯定。所以,"回归"并非寻求绝对意义上的人类的栖息与归宿。只有把"回归"的设计思想放在当代全球设计文化的基点上察看,放在人类共同向往的艺术创造中反思,才能从根本上把握其本质意义,有效地促进和推动当代中国设计文化的发展。

The conflict between scientism and humanism has long been bitter,even in the 21st century.To mediate and hopefully resolve the conflict,first of all,a return of design culture should be advocated from the standpoint of aesthetics;second,the notion of return is expected to reformulate a new ethic order as a prerequisite for the return of self-realization of human value.Today,the so-called return is definitely not the revival of the old design culture,but the advocacy of human-oriented design culture.Only from the perspective of the global design culture can the essence of return be truly understood,and great prospects of the contemporary Chinese design culture can be expected.