摘要
郭沫若《女神》时期的诗歌佚作是我们完整认识诗人诗歌观念的重要文献。借助蔡震先生编辑的《〈女神〉及佚诗》,我们可以洞察他独特的诗歌新/旧评价,把握其探索新诗艺术的基本理想,也有助于深入理解他"绝端的自由"的形式主张,最终重述一个更符合历史事实的郭沫若的诗歌观念或曰"郭沫若诗学"。
The lost poems in the creation period of Guo Moruo's Goddess are the important documents which help the researchers to understand Guo Moruo's idea of poetry creation. Through Goddess and the Lost Poems edited by Cai Zhen,we may see his unique appraisal of new/old poetry,grasp the basic ideal of the exploration to the art of new poetry,understand his advocacy to extreme freedom of forms,thus reiterate a more reasonable poetry idea which conforms to the historical fact,or to say "the Guo Moruo poetics".
出处
《湘潭大学学报(哲学社会科学版)》
CSSCI
北大核心
2011年第1期98-101,106,共5页
Journal of Xiangtan University:Philosophy And Social Sciences
关键词
郭沫若
《女神》时期
佚诗
文献价值
Guo Moruo
the period of Goddess
the lost poems
the documentary value