《秦腔》—乡土世界的还原与抽象

Shaanxi Opera-the Reduction and Abstraction of the Native World

鉴于读者和评论界对《秦腔》不同的解读和评价,本文以详实的文本分析为依据,系统论述了《秦腔》针对转型期的乡土世界所进行的还原和抽象的具体内涵。通过剖析被作家称之为"密实的流年式"叙写模式的具体特征和解读作品所塑造的一系列艺术形象的特殊意义,高度评价了作家对乡土生活深刻的认知以及在小说叙事方法上所进行的革命性探索。另外,本文所涉及关于贾平凹创作实践的论述,对于广大文艺工作者重新审视艺术创作与社会生活之间的关系具有较强的指导作用。

In view of different interpretations and evaluations of the novel Shaanxi Opera from readers and the critical circle,the paper expounds systematically,on the basis of full and accurate textual analysis,the specific connotation of reduction and abstraction in the novel made to the native world during the transitional period.By analyzing the special meaning of the artistic images portrayed by the specific features and the interpretation of the work with the narrative mode,which is called ＂closely knitted fleeting time＂ by writers,it speaks highly of the author＇s deep recognition of the native life as well as the revolutionary exploration in the narrative approach of novel writing.Furthermore,the analysis about Jia Pingwa＇s creative practice involved in the essay has a greater guiding role for the majority of literary and artistic workers to reexamine closely the relationship between artistic creation and social life.