论《审音鉴古录》中的“戏曲导演意识”——以《琵琶记》为例

Directing Consciousness in "Collection of Tasting Music and Appreciating the Ancient"

《审音鉴古录》是中国古代戏曲"第一部专门的导演著作",为中国古代戏曲提供了早期戏曲舞台的"导演意识"。本文试以《琵琶记》选段为例,从构成当代戏曲舞台的三位主体——导演、演员、受众出发,来分析《审音鉴古录》所具备的早期"导演意识",从而以古鉴今,引发更多对当代戏曲舞台导演艺术的思考。

＂Collection of Tasting Music and Appreciating the Ancient＂ is the ＂first professionalmasterpiece on directing drama＂ in ancient China,because it provides a ＂directing consciousness＂ to early drama stage.Taking an extracted sect of ＂the story of Pipa＂ as an example,and viewing from the trinity of drama stage subject ＂director,actor,and audience＂,the present article analyses the ＂directing consciousness＂ initiated by ＂Collection of Tasting Music and Appreciating the Ancient＂,so as to bring some proposition to contemporary directing art.