民俗志:文化书写的历史——基于“民俗志”概念及其书写范式的研究

Folklore Recording:The History of Culture Writing——Reflection on the Conception and Writing Styles of Folklore Recording

"民俗志"作为文化书写的实践活动,并不是自现代民俗学科建立以来才产生的,在我国"民俗志"书写传统古已有之,它存在于我国卷帙浩繁的史志文献中,是一种"有实无名"的民俗志;自20世纪90年代"民俗志"概念被正式提出,经过十多年的写作实践和理论研究,民俗志已经进入了对其书写范式的反思阶段。本文首先追溯了我国史志文献民俗志的书写传统及其写作程式,并进而对"民俗志"概念作了发生学上的研究,提出在新形势下应当实现现代民俗志书写范式的转换,并对现代民俗志书写的可能形式和多种类型进行了分析和阐述。

As a practice of culture writing, folklore recording is not a new production in our contemporary era. We have an old tradition of folklore recording in china. It is such a folklore recording style-＂having the content but having no name＂ which can be found in our numerous national ＆ regional historical archives. But as a contemporary academic conception, ＂Folklore Recording＂ came up and was stressed by scholars until the late of 20 century. Through more than a decade theory development and writing practice, folklore recording now has facing a new study phrase-reflection on the writing styles of folklore recording. This thesis firstly unfolds the long folklore recording tradition and its general writing pattern ＆ format; Secondly, it explores the academic course that how the contemporary ＂Folklore Recording＂ conception coma up. Thirdly, it explained why contemporary folklore recording need to transfer its writing styles. At last, this thesis points out that contemporary folklore recording should have different writing styles.