魏碑摩崖《石门铭》与《郑文公》的象意探析

Research on Styles and Meanings of Wei Dynasty's Cliff-side Carvings Shimenming and Zhengwengong

圣人"立象以尽意",魏碑摩崖《石门铭》与《郑文公》字体各呈"圆象",其技法圆彰,一点一画各自烘托"飞逸奇浑"与"醇古渊穆"之意境.结合时下新碑学得失,两碑的取法之径即"何以各呈圆象,何以各尽其意"也很值得探讨."技道同修,象意圆融"是学习此两碑进而学习所有魏碑的正确途径.

Sages could use external styles to express internal meanings. Both characters of Shimenming and Zhengwengong, two famous Wei Dynasty＇s cliff-side carvings, had presented the ＂round image＂. Its caving techniques were proficient and perfect. Each dot or stoke of the characters on these two carvings reflected meanings of either ＂fluent, unique and seamless＂ or ＂plain, fine and profound＂. Compared with the present practices of the new tablet calligraphy, the techniques of these two cliff-side carvings, including the method to create the round image respectively and to express the profound meanings respectively, are worth researching. Holding the view that the techniques and wisdoms should be learned together and the external styles and internal meanings could be integrated in studying is the right way to study these two carvings and other carvings in the Wei Dynasty.