意大利音乐风格在《意大利协奏曲》中的体现

The Manifestation of Italian Musical Style in The Italian Concerto

《意大利协奏曲》三个乐章中的旋律都具有自己突出的个性。这与巴赫大多数作品中那种浑厚复杂的特点有着相当大的区别。这是由于主、复调音乐的不同创作手法造成的,复调创作技法将各声部交织在一起,构成一个统一的整体,使得巴赫的多数作品厚重有余,灵巧不足,而主调音乐将大部分注意力置于旋律之中,所以灵活自如。巴赫在创作《意大利协奏曲》时尝试插入复调形式,不是为了与主调形式形成对比,而是小心翼翼地将这些复调因素编织在主调音乐的背景中,更好地突出作品的主调性,统一作品的风格。

The melody of the three movements of The Italian Concerto has their respective outstanding personality, and it is quite different from vigor which is the striking character in most of Bach＇ s works. Such a difference resuits from different creative approach to principle and dual tones. In composing The Italian Concerto, Bach attempted applying dual tone to the background of the principle musiC, givingprominence to nature of principle tone and unified style.