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我的写意雕塑

My Impressionistic Sculpture
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摘要 由于重文人轻工匠的传统观念所致,也因为在宗教造像里缺乏意境的营造,缺少情感的宣泄和心灵的写意,中国几千年的雕塑(包括宗教佛像)仅仅是求生的门路,而没有作为艺术而受到人们的重视。多年的雕刻创作使我认识到,雕塑作为智慧的内在展示,必在七个方面做到庄谐相生、瑶璎相衒,即——"美在其艺、艺在其形、形在其神、神在其意、意在其韵、韵在其心",才能使造型刀法风神不散,才能被人们所理解、欣赏和喜爱,才能成为真正的审美对象。 Owing to the traditional idea of respecting scholars and belittling craftsmen, and the lacking of the expression of feelings in Buddhism sculptures, Chinese traditional sculptures with thousands of years of history including Buddha figures were treated as the ways of making living by the sculptors without being respected as arts. I realize from years of sculpturing experience that if we can unify form with spirit and bestow lingering charm on sculptures, people will understand and appreciate the beauty of them.
作者 黄泉福
出处 《雕塑》 2010年第6期68-69,共2页 Sculpture
关键词 写意雕塑 意术交融 诗意人生 Impressionistic Sculpture, Confusion of Impression and Craftsmanship, Poetic Life
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