野地对话与神性复魅——谈高更艺术旨归对张炜小说创作的影响

Dialogues in the Wilderness and Divine Enchantment——On Inflences of Gauguin's Artistic Thoughts on ZhangWei's Novels

面对技术理性时代中无序工业"不自限"的扩张侵凌,野地神话渐被理性透明测度无情放逐,大地血脉渐遭切断的痛楚,突显出"单向度"趋势中主体消泯的危机。在同样焦虑的背景下,法国后期印象派绘画大师高更"逆行的归程"人生艺术,对张炜的小说创作产生了一系列内在的影响,使他从自然生命本身出发执著地投入到了野地叙事一脉。张炜小说叙事的文体肌理方面,如叙式内视角、拼贴式时空体及诗性语质方面都与高更绘画技法有着微妙的内在艺术关联,而两者寂寞的生命"逆向归程"之旅,实是出于拒斥的自觉与溯源的抵达,本质上正是审美现代性原始情愫根柢下的人与自然的生态整体主义美学观。

With the ＂limitless＂ invasion of disorderly industry in the era of technological rationality,the myth of wilderness has got exiled and the earth blood vessels have painfully been cut off,which results in the crisis of subjectivity in confrontation with the one-dimentional trend.Against the same background,Zhang Wei has received many inspirations for his novel writings from the French post-impressionist Gauguin＇s life and arts featured with ＂a life passage of regression＂.He thus embarks on a narrative of wilderness on the basis of reflections upon natural life.Zhang Wei＇s style such as a manipulation of internal point of view,pastiche and the poetic tone has a subtle relation to Gauguin＇s painting style.Both have consciously advocated an ecological integration of mankind and nature by embracing ＂a life passage of regression＂.