藏戏遗产在青海河南蒙古族中的传承与文化认同——以托叶玛乡西顷村藏戏演述田野考察为例

The Inheritance and Cultural Identity of Tibetan Opera's Heritage among Henan Mongolian in Qinghai:A Case Study of Field Research on Tibetan Opera's Performance and Narration in Xiqing,Tuo Ye-ma,Qinghai Province

通过对青海黄南藏族自治州河南蒙古族自治县托叶玛乡西顷村藏戏演述特点的田野考察,从藏戏在蒙古族僧俗群众中的传承与表述、蒙古族认同藏戏的文化背景和信仰特征入手,探析藏戏在蒙古族族群流变中的民族文化认同和作为非物质文化遗产的藏戏在蒙古族群中的文化认同。

This study is a field research on features of Tibetan opera＇s performance and narration in Xiqing Village,Tuo Ye-ma Township,Henan Mongolian Autonomous County,Huangnan Tibetan Automonous Prefecture,Qinghai Province. The study starts from Tibetan opera＇s heritance and expression among Mongolian monks,laity,and masses,and the fact that Tibetan opera＇s cultural background and belief characteristics are identified; to explore and analyze the national cultural identity of Tibetan opera in the process of ethnic groups＇ evolution,and to explore and analyze the cultural identity of Tibetan opera,an intangible cultural heritage,among Mongolian ethnic groups.