摘要
《金瓶梅》评点者前后相继,构建了相对自足的《金瓶梅》情节技法体系。情节的有机性是其文本艺术整体风貌的基石,节奏美感和情节迭用原则则为《金瓶梅》情节美学的突出表现。他们逐步摆脱了凭借单纯的故事编织获取感官满足的积习,走向多方表现人物性格、体现文本题旨的艺术层面,强化了小说理论规律的全面探究,从而形成古代小说情节技法的中国气派。
The commentary on Golden Lotus one after another constructed a relatively self-contained system of plot technique in novels.The organic of plot was a cornerstone of the overall text of the Golden Lotus,its outstanding performance of plot aesthetics were the sense of esthetic rhythm and the principle that plot was repeated to use.They had got rid of an old habit gradually which simple relied on knitting story to gain sense,moved towards multi-show personality and reflected the aspects of the theme text.The law of theory novel was strengthened comprehensively,thus formed the techniques of plot of Chinese style.
出处
《邯郸学院学报》
2010年第4期105-109,共5页
Journal of Handan University
基金
广西教育厅2010年度课题"张竹坡
文龙<金瓶梅>评点平行论"(201010LX271)的阶段性成果
关键词
《金瓶梅》
小说评点
情节技法
Golden Lotus
the commentary in novel
the technique of plot