摘要
《马路天使》是电影人袁牧之先生极具代表性之作,它具备了新现实主义电影的诸多风格与美学特征。其格调诙谐、表演精湛、视听神奇、思辨旨趣,被定格为中国电影发展史上的一座里程碑。本文以新现实主义、电影乐声与影像结构散点式言说,《马路天使》记录了影像中国,也成就了一段影像本体复现。
Road Angel is a highly representative works by Yuan Muzhi,which has many styles and aesthetic characteristics of new realism films.It has a witty style,good performance,audio-visual achievement and speculative interest,so it becomes a milestone of Chinese film history.The article is a scattered-point statement at new realism and film music,including image structure.Road Angel not only records image of China,but also achieves an image ontological repetition.
出处
《湖州职业技术学院学报》
2010年第4期60-62,共3页
Journal of Huzhou Vocational and Technological College
