思辨、反抗、创新:孙绍振1980年代以来的诗学研究

A Talk on Sun Shaozhen's Poetic Studies since the 1980s

孙绍振在朦胧诗论争中名声大振。三十年过去,他对诗歌产生忧惧,但并没有完全绝缘。置于历史语境中,论文从"传统"的多重意义出发,重新审视孙绍振的《新的美学原则在崛起》对中国当代诗歌发展起到的正负面作用,肯定他在特殊时期,把人的解放与文学批评的自由结合起来,突显人性,推进新的美学原则确立;在诗歌标准混乱的时候,不迷信理论,对诗歌进行本土化细读;时时保持着逆反思维,反对权威的艺术观念,反对既成的艺术范式,注重原创性——由此形成思辨、反抗、创新,为孙绍振自1980年代来一直彰显的特色。

Sun Shaozhen＇s fame skyrocketed in the debate over hazy poems.After thirty years,however,he becomes afraid of verse,but doesn＇t completely isolate himself from it.Starting from ＂traditional＂ multiple meanings,this paper puts him in the historical context and re-examines the negative and positive roles of his The Rise of New Aesthetic Principles on the the development of Chinese contemporary poetry,confirming that he has helped to promote the establishment of new aesthetic principles in the special period by combining the liberation of humans with freedom in literary criticism to highlight humanity.At a time when there were no criteria in poetry,he conducted localized research on poetry instead of following peotic theories blindly.He has retained his skeptical mentality all the time and opposed authoritative ideas as well as fixed paradigms on art,with much attention to originality.Thus reflection,resistance and innovation have charcaterized his poetic studies since the 1980s.