性物化下的沉默——《罗克珊娜》、《克拉丽莎》和《塞西丽亚》的比较分析

Silence from Gender Materialization——Comparison Analysis among Roxana,Clarissa and Cecilia

格奥尔格·卢卡奇提出的"物化"理论主要属于哲学范畴,但是,如果把它应用于文学领域来分析英国18世纪女性被物化的现象、原因和本质,则更能有助于了解女性物化现象的相关理论和其发展的特点。结合英国18世纪出版的三部小说作品——塞缪尔·理查逊的《克拉丽莎》、丹尼尔·笛福的《罗克珊娜》和弗朗西斯·伯妮的《塞西丽亚》,以作品中女性物化现象为切入点,探讨由于女性在经济上处于被动地位,婚姻中也成为男性的附属品,加上父权制度的统治和长期以来社会伦理道德的双重压迫,女性的命运一直在男性社会中被物化,成就了父权制社会显形物化的意识形态。

The theory of ＂materialization＂ put forward by Ceorg Lukacs mainly belongs to the field of philosophy.However,applying this theory into literary field to analyze the phenomenon,reason and nature of females＇ being materialized in 18th century Britain is helpful to understand the related theories and its developing characteristics about females＇ being materialized.United with three novels of Clarissa by Samuel Richardson,Roxana by Daniel Defoe and Cecilia by France Burney published in the 18th century, taken the phenomenon of females＇ being materialized in the works as breakthrough point,this article probes into the females＇ fate that has been materialized in the male-centered society because of females＇ passive position in economy,males＇ appendage in marriage,being governed by patriarchy and long-standing double-pressure in social,moral and ethical aspects,which formed the ideology of the dominant materialization in the patriarchy society.