“闲”子范畴群的审美意义研究

The Aesthetic Research on Sub-categories of"Xian"

"闲"是中国古代一个重要美学范畴。比照"母范畴"之"闲","子范畴"为数众多,且于文艺理论中运用更为丰富,包括偏于儒道禅共通境界的标示审美心胸之"闲静"范畴序列,偏于儒家文饰特征的标示"有为而自然"审美风格之"闲丽"、"闲雅"范畴序列和偏于道家自然特征的标示"无为而自由"审美风格之"闲逸"范畴序列。每种范畴序列的衍生语境、范畴构成以及在古代文艺理论中的审美意义具有重要研究价值。

＂Xian＂ is an important category in ancient China. Compared with the meta-category of ＂Xian＂,the sub-categories are numerous and plentifully used in the ancient theories of literature and art, such as＂Xian-Jing＂ category sequence as aesthetic spirit with tend to Confucianism,Taoism and Zen＇s common state;＂Xian-Li＂,＂Xian-Ya＂category sequence as adorning but natural aesthetic style with tend to Confucian decorative features and ＂Xian-Yi＂ category sequence as non-adorning and free aesthetic style with tend to Taoist natural features. Each category sequence will be discussed specifically from the derivation and constitution to the aesthetic use in this paper.