期刊文献+

淘上复淘下,浮来又浮去——评何方形的古代诗歌审美论

On He Fangxing's Aesthetics of Ancient Times Scenic Poetry
下载PDF
导出
摘要 山水诗在中国古诗中地位特别。古人往往寄情山水,以摅怀抱,故借物言志、借景抒情,是山水诗习常的旨趣,而山水诗研究也成为热点之一。当今,新资料的发掘机会甚少,山水诗研究该如何发展,成为学人思想的焦虑。何方形试图以审美切入,通过大量文本的通读,总结山水诗的艺术流变,其研究思路可为后学提供有益的借鉴。 Scenic poetry in Chinese ancient times is an important poem form. Our forefathers convey their emotion through the landscape. The poets always voice their ambition through substances and convey their emotion through scape in scenic poems. And studying the scenic poetry arouses the interests of more and more researchers. However, the opportunity to explore new materials becomes rare today. Researchers are wondering the development direction of the study of scenic poetry. Mr. He fangxing summarizes the change of artistic genres of scenic poetry from the viewpoint of aesthetics through studying large quantities of poems. The perspective of his research may give implication to other researchers in their further study.
作者 胡光波
出处 《黄石理工学院学报(人文社科版)》 2010年第4期25-28,共4页 Journal of Huangshi Institute of Technology:Humanities and Social Sciences
关键词 何方形 山水诗 审美论 He Fangxing scenic poetry aesthetics
  • 相关文献

参考文献2

  • 1陈鼓应.庄子今注今译[M].北京:中华书局,1983.779.
  • 2王先谦.苟子集解[M].北京:中华书局,1988..

共引文献877

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部