摘要
卢卡奇的日常生活批判理论是在美学的视阈中,从微观层面对人的异化问题的探讨。他看到了在发达工业社会,异化已经渗透到了人赖以存在的经验生活层面,而异化的深入是由于从日常生活中分离出来的非日常生活无法重新回归到日常生活中去,使得日常生活停滞不前造成的,他把唯一能使非日常生活回归日常生活的希望寄托在艺术身上,因为艺术与日常生活的关系最为微妙,既从日常生活中分离了出来,也没有丧失掉与日常生活的联系。
Lukács’ critical theory of everyday life is a microscopic exploration of human alienation from the aesthetic perspective. It reveals that alienation has infiltrated into the experiential aspects of life in advanced industrial societies and become more serious when non-daily life deviated from everyday life and failed to go back, which finally caused thestagnant status of the latter. According to Lukács, the only hope for the retracement of non- daily life lies in art which is connected with everyday life in a subtle way, even though they have been separated.
出处
《哲学分析》
2010年第4期124-131,145,共9页
Philosophical Analysis