摘要
独特的修辞更能成就个性化的诗人。近些年来,陈先发在诗歌创作上的修辞探索引起人们的关注:借故翻新的互文性写作,古诗意象的唤醒和现代灵魂的注入,使诗歌表现出对生存与写作的多重焦虑;人与物的通灵及轮回意识增强了诗的魔幻色彩,产生了第三者观察视角和意象指向不确定等美学效应。设置非象征与象征的迷宫,通过自然隐晦揭示生死意识;感觉的具象化与自然的典故化,使诗歌形象灵动;复杂的简单与意义的含混使诗歌语言节奏自然,语义多重可解,蕴藉深厚。
Unique rhetoric can help even more to make characteristic poets. In recent years, Chen Xianfa's conspicuous progress in rhetoric in his writing of poems has attracted wide attention. The intertextual writing of retreading old stories for new meaing, the borrowing of images in ancient poems and the infusing of modern spirit into these images have enabled his poems to reflect the multiple anxieties towards living and writing; the communication between people and objects, the metempsychosis consciousness together enhance the magical color of his poems and produce such aesthetic effects as the Third Person's viewpoint and the uncertain indication of images. The poet sets the maze of symbolization and non-symbolization, unveils the life and death consciousness impliedly. The eoneretization of senses and the natural quotation make vlvld the images of the poems. Complex simplicity and ambiguity of meaning give the language of his poems natural rhythm, and ambiguity at the same time endows the poems with rich implication.
出处
《长沙理工大学学报(社会科学版)》
2011年第1期94-100,共7页
Journal of Changsha University of Science and Technology:Social Science
关键词
诗歌
修辞
互文性
象征
含混
poem
rhetoric
intertextuality
symbolize
ambiguity