作为话语仪式的忏悔--何其芳延安时期的诗歌话语分析

Confession as the Rite of Discourse:An Analysis of He Qifang's Poems Written in Yan'an

在延安时期的诗歌话语实践中,何其芳主要运用了一种双重性的忏悔话语策略,以此来认同并超越当时正日趋成型的革命文艺话语秩序。其中隐含了主流权力话语重塑或改造诗人主体的运作机制,即通过"排除程序"和"提纯程序"来制约主体的话语空间和话语方式。何其芳的话语困境植根于他的心理困境,也折射了当时面临创作转换的革命作家的普遍文化困境。

During his stay in Yan＇an,He Qi-fang adopted a double-voiced discourse strategy characterized by confession-making in his poems in order to identify himself with and transcend the gradually maturing revolution literature discourse order. Such a strategy is a good response to the mechanism by which the mainstream power discourse reshaped the subjectivity of the poet,namely restricting the discourse space and pattern of the poet＇s subjectivity through the procedures of ＂exclusion＂ and ＂rarefaction＂. He Qi-fang＇s discourse predicament is rooted in his personal psychological dilemma,which reflects the universal cultural predicament of Chinese revolutionary writers who were confronted with the transformation of literary creation in those years.