摘要
阿多诺为当代西方文化精神注入了强大的批判力量,深刻地改变了启蒙运动以来的文化内核和文化走向。反启蒙、非同一性原则和否定的辩证法,是他对20世纪的血腥杀戮和全面异化进行文化反思得出的成果。并且,在实践层面,他通过对文化工业的批判揭去了宏大叙事的假面。可贵的是,阿多诺并未丢弃理想之帆,他憧憬着艺术救赎的可能。阿多诺作为独立自由的公共知识分子,感召着后继者的学术良知和探索精神。
T.W.Adomo has injected the criticizing force into the spirit of contemporary western culture, and profoundly changed the core and direction of culture since the Movement of Enlightenment. It was anti-enlightenment, non-identity principle and negative dialectics that he had obtained by rethinking in the culture sense from wars and alienation in the 20th century. He put his thoughts into practice and took off the mask of grand narrative by criticizing the culture industry. Adorno did not give up but expected human beings to be saved by arts. As a public intellectual of independence and freedom, he inspired his followers with academic conscience and exploring spirit.
出处
《广东广播电视大学学报》
2011年第1期39-42,54,共5页
Journal of Guangdong Radio & Television University
关键词
反启蒙
非同一性
否定的辩证法
文化工业
公共知识分子
anti-enlightenment
non-identity
negative dialectics
culture industry
public intellectuals