摘要
康德美学在中国已经经历了上百年历史,然而真正摆脱政治束缚,以较为自由、平和、开放的心态去看待它却是在改革开放以来的30年。回顾这30年,康德美学在中国的研究及其影响大致可以分为以下几个阶段:20世纪80年代可以看做是康德美学研究的恢复与重建期,90年代是康德美学研究的反复与繁荣期,而新世纪以来则是康德美学研究的细化与反思期。
Kant's Aesthetics in China has experienced a century of history, but truly break away from the political constraints to a more free, peaceful and open mind to look at it is in the recent 30 years since the reform and opening. Looking back the 30 years, Kant's Aesthetics in China and its impact can be mainly classified into the following phases: 80's can be seen as the rehabilitation and reconstruction phase of the study of the Kant's aesthetic; 90's study of Kant's Aesthetics can be seen as the inconstancy and prosperity phase; But the new century is a study of Kant's aesthetic refinement and reflection period.
出处
《河南社会科学》
CSSCI
北大核心
2011年第1期171-176,219,共6页
Henan Social Sciences
关键词
康德
美学:艺术自律
反思
Kant
Aesthetics
Artistic-autonomy
Reflection