艺术与知觉的本源——梅洛-庞蒂的《眼与心》解读

The Source of Painting and Perception

梅洛-庞蒂绘画美学的核心,在于把身体确定为绘画活动的主体。在他看来,画家不是用心灵,而是用身体来绘画的。身体的特殊性在于,它既是能见的,又是可见的。身体的两重性使它能够与世界展开内在的相互交流,这种交流则构成了绘画活动的基础,诸如色彩、线条、深度等"存在的枝条"对画家来说才变得可见,而绘画也由此揭示并颂扬着世界的"可见性之谜"。

In Merleau - Ponty＇s opinion,the subject of painting is a person＇s body.The artist paints through his body instead of his mind.A human body is peculiar in that it is visible and clearly seen.This duality enables the human body to communicate with the world,which is the base of painting.For example,colors,lines,movements,depths,etc.can be seen by painters as＂branches of Being＂.That is why we think painting reveals and praises the enigma of visibility of the world.