摘要
19世纪以来,西方文学传统中作为文体的"史诗"概念逐渐演变为"史诗性"这一审美范畴。随着国外小说及理论的引入,"史诗性"与中国传统的史传传统结合成为中国当代小说最高的审美追求和评价标准。植根于关中地区久远的《诗经》、《史记》之史传传统,陕西作家的创作往往有更深的史诗情结。以柳青、杜鹏程为代表的"革命正史"写作,纪"史"有余,"诗"意欠佳。《白鹿原》以"民族秘史"纠"革命正史"宏大叙事之偏,执着于对民族精神、民族命运的探求,对历史进程中人物文化心理的摹刻;巧设叙事的历史时空,多维透视史诗人物形象,臻于"史"与"诗"的完美融合,丰富发展了了陕西文学的"史诗性"写作传统。
Since the 19th century,in the western traditional literature,"epic"gradually evolved into the aesthetic category.With the introduction of foreign novels and theory,"epic" becomes the highest standard of evalution of Chinese contemporary fiction.The representatives of "revolutionary history",LiuQing,DuPengCheng,put more emphasis on "history",but less on "meaning".Bailuyuan mainly describes the national spirit,the national destiny and the characters' psychology,fouces on the perfect fusion of "history" and "poem" and enriches the writing tradtion of "epic" in Shanxi literature.
出处
《重庆师范大学学报(哲学社会科学版)》
2011年第1期46-51,共6页
Journal of Chongqing Normal University Edition of Social Siences
关键词
史诗性
革命正史
民间秘史
白鹿原
epic
the revolution history
the secret history
Bailuyuan