摘要
色彩是中国山水画绘画语言的重要组成部分,从山水画整个发展历程来看,每一阶段都与中国传统的"五行"、"五色"、儒家色彩观、道家色彩观以及佛家色彩观有着紧密联系。而庄、玄、禅思想又影响文人画崇尚水墨画的创作心态和美学意境。宋以后,文人画占据画坛呈主流趋势,青绿山水画开始衰退,重水墨轻色彩,严重阻碍青绿山水画的发展。
Color is an important part of the landscape painting language.From the perspective of the entire development and process of landscape painting,each stage is closely linked with the traditional Chinese "Five Elements","Five Colors",the Confucian color concept,the color concept of Taoism and the color concept of Buddhism.There's something about a spectacular landscape that makes the painters' fingers itch to capture its essence on canvas,to be able to create a landscape painting that generates the same intense emotion in someone who views the painting.Since the Song Dynasty,landscapes of more subtle expression appeared;immeasurable distances were conveyed through the use of blurred outlines,mountain contours disappearing into the mist,and impressionistic treatment of natural phenomena.
出处
《合肥师范学院学报》
2011年第1期130-132,共3页
Journal of Hefei Normal University
关键词
山水画
水墨
色彩
青绿重彩
Landscape
ink
color
green color
lavish color