摘要
多元诠释和多元载体是西方民族音乐学学科定位的两个基点,前者是学科奠基成型的构架依据,后者是学科发展,壮大的理论条件,两者的结合,旨在特定社会语境里探讨人类音乐行为的文化意义,这种探讨即是"文化中的音乐研究。"
Plural interpretations and plural tools are two bases for an orientation in the discipline of ethnomusicology of the West. The former is referred to as a structural institution in shaping a disciplinary foundation, and the latter a theoretical condition in securing a disciplinary development. These two aim at exploring cultural meanings in human behavior through music. This exploration is ＂ the study of music in culture＂
出处
《中央音乐学院学报》
CSSCI
北大核心
2011年第1期21-28,20,共8页
Journal of The Central Conservatory of Music
关键词
多元诠释
多元载体
民族音乐学
音乐行为
文化基源
文化意义
plural interpretations
plural tools, ethnomusicology
musical behavior
cultural roots
cultural meanings
