浅析康索艺术中心建筑设计中的空间组织手法——以电影蒙太奇手法为例

蒙太奇,作为电影创作的主要叙事和表现手段,译为剪切和组合。也就是将一个个的镜头组成一个段,再把一个个的小段组成一大段,再把一个个的大段组织成为一部电影。这样的切割在空间的构成上也有异曲同工之妙,在瑞母·库哈斯的康索现代艺术中心,蒙太奇手法可谓发挥得淋漓尽致。本文主要就库哈斯作品取样,分析其空间的组织手法,以电影中蒙太奇为着手点剖析。

Montage,the main narrative as a means of film-making and performance measures,translated into shear and combinations.That means put the sub-scenes together and then make a whole film.This is similar to the spaces partition.To Rem Koolhaas,Montage,as a design-making,has been used completely in his Kunsthal Centre.In this paper,the author wants to work on Rem Koolhaas sampling,analysis of the use of spatial montage.