“文学性”反思与作为“不同的世界”的文学

A Talk on Original Research on China＇s Contemporary Aesthetics and Literary Theories

当代中国语境中的文学理论建设的原创性努力，不可避免地以一系列文学理论基本概念、范畴、命题的反思为起点。“文学性”正是这样的基本概念之一。这不仅仅因为“文学性”是把握现代文学理论的核心线索，更在于“文学性”构成了近年来困扰文学研究界的一系列问题的汇聚之点，如文化研究的兴起对文学研究的挑战、文学批评的理论立场的模糊不清与时尚滑移等等。

Though original research should be aimed to create China＇s contemporary principles,conceptions and categories,in the case of the fact that originality is seldom discussed in both China＇s ancient and contemporary literary theories and that the original efforts can be regarded as a accumulation to be deepened gradually as a process,the following scholars,from different perspectives,contributed to theoretical originality some thoughts which on one hand,are independent to each other,and on the other hand,are relevant： Yuan Jixi and Yao Wenfang extracted China＇s traditional cultural resources with respect to originality;Zhang Xikun was committed to associating Chinese literary theories with Western ones;Zhang Wei devoted to comprehensive thoughts on originality;He Pin made views on how originality responded to the present literary criticism;Zhang Zhen preliminarily made personalized understanding and construction concerning literary issue.