摘要
《白色的黑人》是诺曼·梅勒创作生涯中一篇具有特殊意义的作品,而国内关于梅勒的论文却大都以其代表作或获奖作品为讨论对象,极少有文章专门涉及它。但《白色的黑人》不仅是梅勒的哲学宣言,从某种意义上说,也是他一生创作的思想源泉。同时,因为文章对性尤其是暴力的认同,它又是梅勒所有创作中最有争议的作品。本文将对《白色的黑人》一文的精神品格进行探讨,并试图挖掘出梅勒写作此文的真正动机。
While "The White Negro" occupies a special place in Norman Mailer’s entire writing career, the overwhelming majority of writings in China on him have only focused on his representative works or prize winners. But "The White Negro" is not only a manifesto of Mailer’s philosophy, but a well from which virtually all his literary thoughts are drawn. It is also Mailer’s most controversial piece of writing due to its endorsement of sex and violence. This essay attempts to probe into its spiritual constitution and the author’s writing motivation.
出处
《当代外国文学》
CSSCI
北大核心
2011年第1期135-142,共8页
Contemporary Foreign Literature