摘要
柏林犹太人博物馆是解构主义建筑师里勃斯金德的一项力作。建筑的“之”字形平面和纵贯其中的直线形“虚空”片断的对话,形成了这座博物馆的主要特色。线性要素的倾斜、穿插与冲突手段的大量运用,产生了很好的空间与视觉效果。柏林犹太人博物馆更是一种哲学的表达,设计者试图通过过去、现在和未来的精神与意义,而不是有形的物体,来唤醒和融合犹太人与柏林的历史。
The Jewish Museum is one of the most important works of the deconstructionist architect D. Libeskind. The dialogue between the zigzag-formed plan and the straight-lineformed fragments of void is the main feature of this building. With oblique. penetrating andconflicting linear elements, a good effect of the spatial and visual quality is gotton. The Museum is rather philosophy than architecture and the architect attempted to recall and re-join theJewish and Berlin history, with the spirit and meaning of the past, the present and the futurerather than the physical form.
出处
《世界建筑》
1999年第10期47-51,共5页
World Architecture