摘要
本文介绍了柏林犹太人博物馆的设计概念及作者的空间体验。这座被设计师D.里勃斯金德称之为“线之间”的博物馆,有两条象征不同思想、信仰,包含不同内容与组织关系的轴线:一条为片断的直线;另一条为延续的折线。可以说这个博特馆是以实之字形的结构隐含了贯穿整个犹太人博物馆的“虚空”。这里它不仅是个建筑,更象是一种符号,包含有记忆与忘却、言语与沉默以及音乐等等,并会聚在一起形成了这个独特的博物馆。
This paper describes the concept of the Jewish Museum in Berlin and the perception in. the space. D. Libeskind called the project'Between the Lines'. There are two lines of thinking. organization and relationship. One is a straight line, but broken into many fragments;the other is a tortuous line, but continuing infinitely. In other words, the Museum is a zigzagwith a structural rib, which is the void of the Jewish Museum running across it. Mor than architecture. the Jewish Museum is an event in which symbols, memory and oblivion, music,the word and silence, all converge and form a constellation.
出处
《世界建筑》
1999年第10期52-56,共5页
World Architecture
关键词
博物馆
犹太人博物馆
建筑设计
Jewish Museum, Libeskind, Between the lines, Void